Song Machine: Strange Timez (feat. Robert Smith) Mp3 Download
Gorillaz started making his seventh studio album with the intention of not making an album. Instead, the Song Machine Project was designed as a series of monthly independent singles to be created right now, without the restrictions or concepts that come with album formation. “This is the definition of contemporary, isn’t it?” Remy Kabaka Jr. – producer, drummer, percussionist, and third member of Gorillaz along with Damon Albarn and Jamie Hewlett – told Apple Music. “It’s much more interesting work in this casual format because it’s easier to respond for a moment than trying to remember your response for a moment. You’re a poster-respondent right now, not a reporter at the moment.”
The songs were forged in massive batches, as quickly as the ideas and collaborators could be pooled together. The series launched with “Momometry Place,” a link with the rebellious voices of Slaves and Slaves, in January 2020 before the shutdown changed the rhythm of the releases to every few weeks. However, work continued across all available forms of communication and the music continued to emerge. “I don’t know if [the shutdown] changed the song-making, I think it changed the subject,” says Kabaka. “You love an artist, you play a track whether it’s online or IRL, and if you like it they’ll work together. The technology is just a music delivery system. It hasn’t fundamentally changed Gorillaz’s creative process. If you can call someone and have something to write about,” Then boom! Just go from there. ” The roster of collaborators is as rich and excellent as it has ever been in the Gorillaz Project, with Elton John, The Cure’s Robert Smith, Georgia, 6LACK and Malian singer-songwriter Fatoumata Dewara merging into the band’s orbit. “The song machine is a world of sound, and I think there is more vocal university than ever before,” says Kabaka. In a way, Song Machine as a whole has gotten more cellular.
Gorillaz’s magic is to fuse these different cells together into a new, cohesive whole. The collaborators were chosen for the way in which they could inspire or develop a song insofar as it suited the ideas that were already brewing. “The music can choose the artist out loud, or the artists can choose an idea that you didn’t actually think of,” he says. “You have to have many ideas and options; you cannot be afraid of missing out on an idea. This is part of being agile and in the moment – you have to enter with as little prior realization as possible, and as many possibilities as possible. You have to respond to the artist’s needs – understanding.” The owners of the master plan. The surprise is the reason we invite them. You should hope that they can surprise you. ” The results are still unmistakable in Gorillaz: an erratic pop that is playful, gloomy, mundane, and tied up with sharp melodies.
It eventually became clear that there was a very good album put together from these indie songs. It reflects the turmoil and trauma of 2020. In “The Valley of the Pagans,” Beck sends interlocking messages from “The Land of the Everlasting Sun / Where the flowers melt and the future is pleasant.” ScHoolboy Q spreads through “Pac-Man” sponge funk, asking, “How can I trust the truth?” Usually, Robert Smith of The Cure alludes to “The World of Surgical Gloves” in the title track – a song that manages to serve as an invitation to the dance floor and the voice of humanity trapped in an ominously sloping vortex. But there is a lot of optimism and positive energy as well, from trilingual pop music to “Désolé” to the assured assertion that “We can do much better than this” in “Momenary Bliss”. “Stranger isn’t bad, it’s just weird,” says Kabaka. “We are smart enough to realize that mutation changes how the world evolves and that change is a good thing.” In the 20 years between this album and Gorillaz’s debut EP, Tomorrow Comes Today, the world has changed in unimaginable ways. Nevertheless, Gorillaz remains a vibrant and innovative flyer for their era. “The core of [the gorillas] is the same as ever,” says Kabaka. “It’s still strange and it’s still cool. But we may have changed.”